- #Nad 2200 for large advent speaker manual
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My initial YPAO results were somewhat puzzling. (This is not strictly in accordance with Dolby's original recommenda- tion for placement of Atmos height speakers, but presumably has been approved by the company given the presence of Atmos logos throughout Yamaha's manual.) These get mounted high on the front and rear walls respectively and are then repurposed for Dolby Atmos/ DTS:X as called for by program type and listening-mode. But the whole issue is complicated by the fact that Yamaha's proprietary DSP modes call for front and rear "presence" speakers. The YPAO routine can automatically detect your speaker layout and make a best-guess at channel assignments for height and rear-surround options. I ran the whole YPAO shootin' match, including the angular routine and four mic positions clustered around my listening seat, in about 45 minutes. This includes the option to calculate the angle of each speaker using a nifty included plastic tripod which has four mic positions, one of them elevated 8 inches or so above the Mercedes-star pattern of the other three. Post-connections, my primary setup task was to run Yamaha's proprietary YPAO (Yamaha Parametric Acoustic Optimizer) speaker/room correction program. I don't know anyone who still uses a LaserDisc player, VHS recorder, or Atari, let alone all three, but Yamaha's got you covered if you do. The Yamaha also provides one component-video and two composite-video "legacy" input paths. I did not use either, as my sources are all digital and I did not employ an external power amp. It's worth noting that the RX-A6A has a stereo balanced XLR input and a balanced XLR main left/right output. (I confirmed that the RX-A6A's Wi-Fi feature worked with my home network, but I always default to wired- Ethernet whenever possible to eliminate variables.) Lastly, I jacked in subwoofer and network cables. It's an admittedly mongrel layout, but after evolving it over a period of years, it works very well. Next, I ran nine wires to my main surround speakers and the four small two-ways I dragooned into Atmos height effects service: the fronts mounted to the ceiling, and the rears aimed at an up-angle to bounce sound off the ceiling about midway between the rear wall and the listening position.
#Nad 2200 for large advent speaker tv
I first plugged in the HDMI cables from my three sources and connected my TV to the receiver's HDMI eARC port. Installing the RX-A6A into my existing surround system was easy. But the catch for now is that most of the receiver's HDMI 2.1 features (including gamer- centric ALLM, VRR, QFT, and QMS, along with HDR10+ high dynamic range pass-through) will be made available via a "future firmware update." It also can upscale video to 8K resolution (via HDMI and component-/ composite-video inputs) and supports pass-through of the HDR10, Dolby Vision, and HLG high dynamic range formats. The RX-A6A features seven HDMI inputs, three of which are HDMI 2.1 (the latest, greatest version with support for 4K/120Hz and 8K/60Hz video pass-through), along with three HDMI outputs (one version HDMI 2.1 with eARC). (That's what the remote control and onscreen menus are for.) The RX-A6A also supports Amazon Alexa and Google Assistant voice control when using an external speaker from those companies, along with Apple Siri via AirPlay 2. That's it, and I totally get that since nobody uses the million buttons adorning so many AVR front panels. But you can be confident knowing that if there's an A/V receiver feature, function, or capability, this new Yamaha incorporates it.Ī bit paradoxically, the RX-A6A is a handsomely simple black box that's almost entirely featureless, with two knobs, six touch-keys, and a small, almost-an-afterthought, display adorning its front panel. So, in the interest of forest conservation if nothing else, I will leave it to Yamaha's website to enumerate its countless features and just hit the high points.
#Nad 2200 for large advent speaker manual
The company's user manual alone runs to almost 450 pages.
#Nad 2200 for large advent speaker plus
Today's example, Yamaha's next-to-flagship Aventage RX-A6A, boasts 11 channels (9 built-in amplified plus an additional two for an external amp) and, depending on how you count, even more inputs. That was back in nineteen eighty sev.well, never you mind when it was. The first A/V receiver I ever reviewed had four channels and five inputs.
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